Tiny Moments


There are moments in the heart

that sing so readily

i have to dance,

and whether feet or arms or spirit

is no matter,

knowing only that

the dance

is all —

and ever in my soul.

© Pam Goode

Inspired by a month-long artist residency graciously provided by Olive Stack Gallery, Listowel, Ireland

Sex in the Fifties

Prelude for Younger Audiences: “Ewwwwwww!”

So what’s the deal with Sex in the Fifties? Despite the hemorrhaging availability of botox, breast bags, hair weaves, penile implants, financial security, liposuction, hormone helpers, testosterone patches, mobility, anonymity, familiarity, butt lifts, viagra, and f***buddies, are we really getting any? Or are we just sick of the whole last-year’s-dance, preferring instead to curl up with a bottle of cabernet?

Frankly, we look old. We feel tired. We are Not in the Mood.

I wasn’t planning on giving up sex, ever. But even for those armed with a fistful of dollars and a bulge in the libido, nature keeps cropping up with a plan of her own. My mother always gleefully tittered that the years after menopause were the happiest of her life. Sorry Mom, but I beg to differ. If you’ve never had a hot flash, and by that I mean never been working away happy as a clam only to find yourself suddenly awash in a skim of sticky, smelly, pore ooze, usually in the midst of 1) a business meeting , or 2) clasping the Beloved, then get thee to a more approriate blog.

And what’s with the weight thing, damn it? Decreased Appetite plus Decreased Intake = 10 pounds weight gain. Eliminating soft drinks, chocolate, and cream sauces (kill me now) = 2 pounds weight gain. Increased Exercise = a pleasant 1 pound weight gain. So tell me why, with all the additional padding, are old people always cold? My Dear Mother Nature, if you want me to keep warm, drop the pound baggage and Let Me Have Sex! Friction = Fire, you know.

They say that menopause causes irritability. Not true. Sweat swells, bulky girth, and a dearth of hickies cause irritability. Big time.

The sad truth is that I know why Mother afflicts us in the 50’s. She has caught a whiff of rotten eggs, and wants to protect the Future of Civilization by causing hunkish males to blanch at our bulbous pretties and eau de locker room, fleeing to wantonly spew seeds into the incubators of twenty-somethings unaquainted with palimony.

And what of those man-type humans? Is their procreational rivulet spiked with preservatives? Does Mother just turn a blind eye to their dalliances, secure in the supposition that no DNA will be mangled by the Over-50 Male? I suppose it’s entirely plausible that she anticipates an occasional dip in the fertilizer population. I, myself, have considered popping off a few somewhere between the gynecologist’s office and the bank.

No one cares if a man grows fat and bald, least of all the man. But I can’t complain, really — as my Dearest insists, “I didn’t marry you for your body.” Ass.

And yet we manage well, all things considered. And, all things considered, perhaps extraordinarily well. We kiss and clutch in restaurant parking lots as gratefully as adulterers, and roll about gamely on sundry pieces of furniture more carelessly than teenagers . . . until I heave him to the floor gasping for a deep throat of air conditioning, nipples thrust greedily toward the ceiling fan, “Faster . . . faster . . . come to Mama NOW, you Bladed Beauty, NOW!”

At least the neighbors think we’re doing it.

(Copyright 2007. All rights reserved Pamela Goode.)

Happy . . . Something

RascalIt’s my favorite season of the year, and I’m speechless. I used to carry on in December with a twinkly grin and a ready, “Merry Christmas!”, one of the few times of the year when I didn’t have to depend on faulty hearing to know what people were saying, because everyone was simply wishing you happiness, family, and sharing. Now, older certainly and wiser mostly, I just smile and nod. I don’t like it. It doesn’t feel good. Continue reading

Be Still

Stillness is not my forte. Unusually still and silent as a child, I’ve been wiggling my way through life since adulthood. But travel is a mind shift for me, and after days of battering by sea and air, my thoughts are quieting to something like stillness, and not a little bit of awe. Continue reading

Alvin Ailey American Dance Theatre and Bad Shoes

Alvin Ailey moves in new creative direction - The San Diego Union-Tribune

As we hobbled out of the Blumenthal in ill-advised but oh-so-lovely shoes, my 20-year-old daughter said, “I’ll never again in my life see such incredible bodies.”

I’m pretty sure she was right.

Leaving another fabulous Alvin Ailey performance, I couldn’t help feeling oddly surprised that we weren’t flying. After all, we’d just seen irrefutable evidence that humans do, indeed, take to the air in dizzying, boundless, lighter-than-air flight.

The highlight of the evening was Twyla Tharp’s frenetic choreography set to David Byrne’s score in The Golden Section. If you thought Talking Heads was a wet finger in the socket, wait til you see thirteen dancers moving together with exquisite precision, AND performing thirteen separate simultaneous dances. Premiered in 1983, the thrill and adrenaline rush of this piece is as addictive as Ben and Jerry’s Dublin Mudslide.

I was 28 when I finished my last dance class and switched to yoga, knowing that I was never going to be another Twyla Tharpe. Linda Celeste Sims, pictured above, danced ravenously for two hours, her own balls able to eject from the wood floor with muscles as powerful as a spring-loaded board. Me? I struggled to walk two blocks in heels. My wimp quotient is boggling.

Not only was I never going to be a dancer, but I was actually struggling to walk in shoes. And there we were — inching  down from the sixth level of the parking garage with improper footwear, the balls of my feet straining in agony on the clutch.

But it was okay — it was temporary, and I had just spent an evening in paradise that I’ll never forget.

Oh yeah, and about those incredible bodies . . . .

I was six when I first slid my pinkies into the much-more-comfortable soft leather ballet flats and learned to lie on my tummy, arch my back, and touch my head to my toes.

I was a young teenager when Edward Villella made it clear that dancers were the most highly trained athletes, their own leaps and relevés far above the ball-tossing hordes.

I was seventeen when I saw Judith Jamison dance Cry, an exhausting and emotional fifteen minute solo that burned her mind-boggling image into the eyes of dancers worldwide.

I was twenty-something when Robert Blake (while he was still cute and crime-free), leaned over toward Johnny Carson and said, “Marry a dancer. Sex doesn’t get better than that.”

Apparently not.

Linda Celeste Sims had danced ravenously for two solid hours, her own balls apparently able to eject herself from the wood floor with muscles as powerful as a spring-loaded board. The best I did was walk two blocks in heels, and I whined.

My wimp quotient is boggling. But I will ALWAYS love to dance.