A Day in the Life


It’s Sunday morning, and I’m delighted to be able to loll about. The sky is that brilliant blue that signals chilliness and jackets that are only worn for the first thirty minutes before you’re warmed and ready to roll.

My sweetest is at the gym, and when he’s all gymmed out and feeling pumped,
we’ll grab a bite of something and people-watch.
It’s Sunday morning, and I’m delighted to be able to loll about. The sky is that brilliant blue that signals chilliness and jackets that are only worn for the first thirty minutes before you’re warmed and ready to roll.

My sweetest is at the gym, and when he’s all gymmed out and feeling pumped,
we’ll grab a bite of something and people-watch.

This afternoon my baby and her babies will visit as the sun warms us enough for naked toes.
We’re carving a pumpkin.

Babies love to be naked. So do adults, but we’re trained against that simple joy and we’ve learned our training well.

I’ll finish a mosaic I’m working on after looking askance at it for a couple of years. It feels ready.

And I wonder how long the average person takes to complete a piece of art. How long do you look at it? How long do you breathe it in? How long does it take to meld both thought and action into one mind? And does the waiting, the considering, take more time than necessary, or the exact number of hours to blossom?

And so I’ll laugh with the babies and their babies, and then I’ll return to silence that is never the silence others anticipate, but the beautiful melding of vision to brain to possibility to creation.

Windblown

I’m not sure there are terms to adequately describe the commingling of nature against nature.

The sand dune isn’t particularly large, but I was able to duck down enough to obscure the sea for this photo. I’m usually all about the ocean and her cycles, but this particular tree made me catch my breath. She’s hanging on for dear life, and still she couldn’t be more beautiful.

The lives we live — so fluid and so cross-hatched with a large serving of both agony and endless beauty.

Image by Pam Goode, Pawleys Island, SC, 2023

The Hard Days


Have you ever had a really good day turn into a really, really bad day in an instant? I’m not talking about Alexander his Terrible, Horrible, No Good, Very Bad Day. We all have those. Not fun, but they pass, and sometimes with cake involved.

I’m thinking about the pain of those we love. Those who mean the world to us, who take care of us from birth to death, from first glance to last, those who explain how the world works and tell you daily how much you mean to them, those who cherish your every glance, every grin, every messy floor, even when you’re sulky.

Sulky is hard, and harder some days than others. But the hardest is loss.

We all have to deal with it from time to time, but it never gets easier, does it? The only thing that makes us feel better is memory, and memory can fill your soul again and again and again.

So fill me up, Buttercup. We need to spread some extra love today.

Somebody needs us.

What else are we here for?

Photo by Pam Goode

Beauty on the Beach

And so it goes. Twenty-one days of beauty, bliss, fascination, sandy toes, storms, old friends, new friends, deep thoughts, waves, madly endless talks, creating, writing, wonder, books, poetry, deep sleeps, love, hugs, love, hugs, more love and more hugs. See you next year.

Beach Poetry

Some days the wind is so merciless
that the few birds venturing out
hasten in their flight,
cursing the rougher movements, the lack of food,
the strain of wings.

Some days the sand blows so briskly that it stings,
minuscule dots of quartz and glass
co-mingling
with the sharper air that
pulls my breath away.

Some days seem ripe for staying in
and lolling here and there on
softer sofas than this.

Yet some days lay splendidly before us,
mingling breath and sea and quartz
into our dreams.

© Pam Goode 2023 (Poem)

Image by Ben Wiid

September Sand

I wasn’t a huge September fan until I became a hardcore beach girl. As children, we always headed out smack in the middle of the heat and loved every minute. Of course now July summers are hotter than hades and a bit less attractive. I might still be willing to go … my mom did it … but I don’t. Instead I dig my toes into sweet September sand and let the softer sun have at me. She loves me, and boy do I love her.

And here’s a secret about September — the beach is almost completely empty. And that is surefire motivation.

The best fun is hanging out with our gaggle of girls, a stash of every kind of art supply, and burying ourselves in all-day creativity (and sometimes all night), conversation, and laughter each week.

And so we come, and we cook, and we eat, and we create, and we walk the empty beach and smile at the wiggly periwinkles trying to dig back into the sand after being disrupted by a wave, and ogle the starfish. But mostly, we laugh. Indeed laughter is so very good for the soul, but it’s also so much more than that — it’s healing and renewal.

Photo: My Mom and Dad on the beach when I was just a tiny thing.

Some Days

Some days
I am roundly pleased
to fancy my
self
a poet.
Other days
I open my
eyes
and see
that I am
only
the
typist.

The Hard is What Makes it Good

A young man came into the gallery one day and, like many, stood with his mouth agape staring at the art on the walls. “What is this?” he asked. “It’s a mosaic,” I answered with a smile. “Well, how do you make it? Where do you get all these little pieces of glass?” “We cut them,” I said with a little glow.” “Cut them? You mean you have to cut every one of these pieces?” “Yes,” I said. “Every piece.” “Oh man,” he said,” he said. “Why would anyone do this? There’s got to be a way to streamline this process. Somebody needs to sell the glass already cut. Doesn’t anyone sell pre-cut glass?” “Well, possibly,” I said, ‘but then I wouldn’t be interested.”

And there you have the answer in a nutshell. I make art because it’s hard.

During the classes I teach, new students will often take on a familiar stricken look when they first start cutting. I tell them to relax and cut for the pleasure of exploration — that making mosaics means learning to love the process. And the process is hard.

Some might say I like a hard life in general. I’m a good one for trudging through the minutiae of a situation, considering every possibility, and then selecting the most time- and soul-consuming avenue. To me, this simply equates to actually living my life rather than just going through the motions. It’s the same way with cooking, planning, selecting (and decorating) a Christmas tree, traveling, thinking, loving, and art. Either I do it to the max, or I don’t do it at all. Otherwise, what have I gained? What have I given?

One of my favorite quotes is from the movie “A League of Their Own,” when Gina Davis admits that something is hard. Tom Hanks says “Of course it’s hard. If it was easy, everyone would do it. The Hard is what makes it Good.”

He’s so right.

It’s a funny thing about “easy.” There are many things I do because they’re “easy” for me, like sorting or folding laundry or unloading the dishwasher or writing a press release — I can have them done in the time it takes to think “oh — I should do this.” Accomplishment is a powerful feed-good, and we can rack up way more of the easies than the hards. But does that make them good? Well, no. None of my easies will ever make it to my Very Favorite Things list.

But give me something hard: determining and creating the ideal ratio of perfect cuts to “human touch” in art, cooking the (very) occasional meal that takes alllllll day, raising a child, or growing the balls to be my fullest self, and I’m all over it.

So yeah. I love mosaic because it’s damn hard. I think we all need to love and engage in something that tests us, that pushes us flat up against the wall and says, “Do your best. Now.”

It’s my favorite part of life.

Are Old Barbies New Again?

I once bought a passel of Barbies. Not whole Barbies, mind you, but just the heads. They were for sale on a friend’s website, and though I rarely (never, ever) spend money on dolls, I snatched these up like a woman possessed and gleefully began arranging them. It was a Very Good Day.

Lately I’ve been purging, and although your first thought is surely “OH NO! NOT THE BARBIES!!!!, you’ll be pleased to know that in no way shape form or teeny tiny inkling of a thought did I ever consider turning them over to a new Barbie family. Those barbie heads are mine for life.

Mind you, this large jar shows about 1/3, or a bit less, of the heads.

But OH! Surprise! While cleaning out my (grown) daughter’s closet this morning, I pulled out a box and — you guessed it — Barbies! And not just body-less Barbies this time, but fully grown and totally intact Barbies. (I may amend this statement when I more carefully examine my haul).

Interestingly, only one of the “intact” barbies is naked, and yes, it’s Ken. I’m uncertain whether he’s showing off his manliness or or was stripped to the bones by the entire box of girls. I figure it’s a tossup.

Oops, two more have stripped. It’s a party!

I guess it’s about time to watch the movie. Sometimes the oddity IS the story.

The Lives We Live

My Dad wrote: “I’ve spent the afternoon sanding Uncle Alvin Howard’s workbench. My great aunt, Laura Hayward Howard, bought the bench in 1936 from Hammacher Schlemmer in New York, and then gave it to Uncle Alvin for Christmas.

Uncle Alvin quickly let on as how he wasn’t about to take up woodworking, and planned to give the workbench promptly to the local boys’ home.

Then Nana caught wind and talked him out of giving it away, saying that she had three rambunctious boys at home who could make good use of it. Both the three boys and their mother did, indeed, use it like crazy. Fifteen years ago, Dad wrote “whatever I know about woodworking tools, I learned at that workbench, sixty and more years ago. Mother is gone now, and I’ve always wanted to repair and restore it. Jeanne and Adam will be coming with a pickup truck in the morning. I’m flying out of Pass Christian on Tuesday afternoon to Atlanta, and then driving to Charlotte Wednesday morning.”

And so he did.

I can’t quite tell whether or not he ever got around to restoring it (the Pardue family wasn’t the hoity toity type), but I can definitely say that he used the workbench handily in his architecture office for quite a few years until he died in 2013. It’s now mine, and though I’m nothing close to a woodworker, I love it like crazy. Many thanks to Alvin, Laura, Nana, and Dad for always sharing their stories, and Jeanne and Adam, who I don’t think I knew, for making it happen.

We need more family stories, don’t we?