Travel

Crazed with Light

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Italy Mosaic Workshop

It’s cold and gray on the long march to Spring, and I’m in love with these words by Italian poet Eugenio Montale: “Bring Me the Sunflower Crazed with Light.” What I wouldn’t give to wander a new path and come face to face with a field of bright suns shimmering in the subtlest breeze and arching heavenward with never a doubt or “what if.”

One of the best gifts of too-many-gray-days is the chance to mosaic again, no matter how briefly. In the past couple of months I’ve managed to knock out two bursts of color in a new series, Postcards Home. Both created primarily with Mexican smalti (plus a little Italian, dalle de verre, glass rods, and some art glass), they represent the personal travel talismans we’ll be creating in my mosaic workshop this May through Adventures in Italy. I think we all need to be reminded, and fairly often, of our sum total — our quiet insides as well as our shiny feathers, our bucket lists as well as our To Do lists. I call these mosaics “minis” even though they’re pretty good-sized postcards at 6″ x 8″, yet still pocketable enough to follow me around and keep me warm when skies shed snow and ice and hearts sigh a bit more often.

Pamela Goode MosaicsThe first in the postcard series was a very simple lane lined with cypress. Some years ago Sweet Pea and I bought a watercolor path through the trees titled “The Road Home” — still a favorite. And yet sometimes I wonder about that word Home, which certainly holds at least a double meaning. Where we’ve been, or where we’re going? What we know or what we seek? Easy chair or the (rocky) road less traveled? Head or heart? Beyond the arms of those I love, where is Home for me? For you?

Flowers and trees, who doesn’t love them? The strongest talismans can be the most basic. They make me laugh. They make me long. They help me remember. They urge me along the path, crazed with light, and momentarily fearless and sure.

Back to Center

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Mossy Rock

I’ve always been pretty much of a rock — at least on the outside. This is perhaps more calculated than natural, since holding steady comes more easily when you don’t give in to drama. I’ve rarely been a shrieker, if you don’t count the child who likes to jump out of closets, or a flinger, if you overlook that carton of Chinese food that sailed across the kitchen. And after all, that was only once. I used to be a door slammer, but someone-I-can’t-quite-remember guilted that out of me. So yeah, pretty much of a rock.

Lately I feel less rockish and more like, oh . . . seaweed maybe. Stringy, riding whatever wave heads this way, unable to keep all of my tendrils pointed in the same direction, but still afloat, still green, still vital. It’s a nice image I think, and serves me well in uncharted waters, but lately I feel the need for a little more control. For feet, if you will. Feet to plant, to walk, to run. Feet that allow me to choose a path.

This isn’t altogether surprising, of course.

It’s a funny thing about finding your feet, your heart, your center. I sometimes feel like I am least myself when I’m in my “element” (read home/job/loves/routines/chosenactivities). I tend to fall into patterns of behavior that work in Situation A or Dilemma B. Don’t we all? I find that I most closely resemble myself, my center, when I am far from home in novel situations with strangers and unfamiliar sights and sounds. I am most myself when I have to look, to see, to hear, to discern, to think in new ways about new concepts, to grow.

Essentially, I have a yearning to get lost. Scrape some moss off. Let some sun in. Let that wild hair reign a bit.

I Like to Pretend

/ Pam Goode / 3 Comments

When do we lose interest in “let’s pretend?” When do we stop allowing ourselves to kerplunk right down in foreign scenarios, dreams, flights of fancy? I know the why (too many disappointments to risk one more), but when is the when? And (egads) why do we allow it?

I’m “away” for the weekend — my favorite place to be. It almost doesn’t even matter where “away” is — but as places go, this one tops many lists. I’m sipping tea on a deck with a rail made of handcut and hand-reassembled mountain laurel branches — a wood and air mosaic if you will. A bird visits for handouts. A mist rolls across the faces of my hosts: one, two, three, four, five, six, seven, is that an eighth? mountain ranges. Peace.

I like to pretend. What if I lived here? What would I hang on this wall, what mountain tomatoes would be the best to slice for lunch, which fruits in the feeder would bring the most colorful birds? And best of all, with ample time to look, what would I see in the faces of the mountain? What whispers would I hear in the night?

My life opens up when I pretend. I live in beautiful spaces, raw places, dine on the exotic or on the field greens I watched a woman in black gather from an empty lot in Greece. I imagine a new wardrobe: floaty and aqua near the sea, downy knits for the hills, pintucks in muted neutrals for France, accessorized by a long and skinny linen bread bag for markets.

But I can pretend just as well in my own backyard. I love to walk at night past the houses that look so alive, so exciting, with lights ablaze, the colors of various rooms leaping out (hello!), while I admire the addition of this or that piece of art. What if I lived here? Or there? Or, ooh! there!? Drop me down in a new surrounding and I fantasize: how would I be different?

Would the deep rose walls warm me? Would a daily infusion of Greek herbs clear my head? Would these blue mountains ground me, or would my spirit heal from the constant tumbling and resurgence of the sea? Am I fully a product of my current environment? 80 percent? 50 percent? How much of myself do I take with me from place to place, and how much of those places do I bring home?

Is there a dividing line between the life I lead and the life I dream, or do they commingle to make me whole?

Fall Color Wheels

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I’ve just returned from a visit with my sister in Virginia, and the October slant of the sun is currently pickling even the lowliest subject matter into a sparkling celebrity in Fall’s Five Minutes of Fame. I’m a snap and run kinda girl, not by nature but by practice, stealing as many shots as I can while companions wait with varying degrees of patience ten paces ahead.

Not every face is lovely, but this one is Beyond Beautiful. Ancient Indian elephant, Wise Woman, patterns of dew-starved earth? Fall colors steal the show, but I’ve always been a sucker for the overlooked.

Eden at Edisto

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Edisto Road

Love or hate The South, it just doesn’t get much lovelier (or haunting, haunted, seductive, or psychically altering) than this. I took the above photograph along a back road on Edisto Island. There’s no resort around the bend; in fact, Edisto Beach doesn’t boast a single hotel. Rent a cottage, a cabin in the woods, or snare a beachfront campsite and stare into these trees for an hour or a day, and tell me your soul hasn’t been abducted, pinned and wriggling to the wall.

Solar Decath Hits USA Today

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Solar Decath USA Today

USA TODAY, WASHINGTON — “As the last truck pulls away and the hardhats come off, 20 solar-powered houses built by university students and associates from around the world will open to the public Friday on the National Mall … Through Oct. 20, more than 100,000 people are expected to visit the houses that students from the USA, Canada, Germany and Spain have designed, constructed, transported and rebuilt for the competition….” Read more here.

Georgia Tech Solar Decathlon

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Solar Decath on the Move

The Georgia Institute of Technology’s entry to Solar Decathlon 2007 arrives on the mall in DC at midnight. An initial team of 15 students is already in place, cramming carbs and sleep bytes in preparation for the intense leveling effort that begins as soon as the semi wheels touch grass. Continue reading →

Tibetan Mosaic

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Tibetan Mandala

Tibetan monks will create a sand mandala like the one above in Atlanta beginning Tuesday, October 16 until destruction on the 23rd. Whereas most mosaics may use several hundred carefully cut pieces, the 5′ x 5′ sand mandalas use millions of grains of colored sand. The good news is that the grains don’t need individual gluing. The bad news is that this exacting work is back-breaking, and takes three to five days to complete. And, you know, you can’t hang it in a gallery. The event is free and open to the public, and more information is available here. His Holiness will speak free to the public on Monday, October 22 at Centennial Park.